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ButrosButros wrote:some pretty useful advice on this thread
i've only recently started out, but i figured i'd add a little.
so it looks like the majority of posts on this thread are from close-up/card/coin workers. this is all stuff that requires a certain amount of skill and certainly requires you to really practice. so in getting to a level where you're comfortable and confident enough with the mechanics to start working on presentation, it's a reasonable investment in time. so from learning an effect, to putting it all together for a show (even just for friends), it takes a while.
i get the feeling that a lot of new comers are full of excitement, and really want to do 'magic'. it's already been explained on here the difference between doing a trick and doing magic. anyway, back on point, the initial excitement and eagerness can be diminished somewhat as they slowly realise that it's a lot of practice and hard work, which may ultimately put them off. so if we go back to the idea of doing real 'magic', surely it's better to start off with some self working effects (i started with Self Working Mental Magic by Karl Fulves http://www.talkmagic.co.uk/ftopic15537.php). the mechanics are so simple, it leaves the eager new magician with nothing much to do except concentrate on how to interact with the audience and really give them a magical experience. this allows you to build up confidence and helps keep that excitment and gives you a nice thrill. as you go along mastering very basic self working effects, you'll be ready to move on to stuff like Corinda, or Royal Road or Bobo etc etc. you'll appreciate it more, and be really eager to put in the time to learn and improve and blow some minds!
so it's kind of the opposite of most of the posts here that suggest picking up the classic texts first and practicing loads and THEN thinking about performing then. the classic texts are a must, don't get me wrong, they may just not be the best place to start for some....
any who.....I'm still a beginner so i could be talking out of my bottom.
Steven360 wrote:Does anyone know of a good trick that involves making a pint (full) disappear?
Mandrake wrote:Mark Wilson gets my vote because it covers a much wider range than the other two books - save those for after MW and they'll follow on very naturally.
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